Gloria Marojevic

I have many wonderful memories of my childhood creative moments. My father enjoyed painting; Most children set against hills and ships at sea. The paintings were taller than me and the painting seems to be huge for me then. Around the age of 8 I remember clearly the transformation of a piece of concrete in an exotic island by rubbing all kinds of vibrant green leaves and petals on the gray mass until it is alive with color!

At age 18 he spent a year traveling in Europe, where the images of the sea and the sky, particularly in Turkey and the Greek islands, were so spectacular. I was impressed by the ever-changing beauty of the colors and shapes that present these scenes to me. Rosas, red, blue, orange and purple skies and seas, and every shade of blue and green waters that are constantly moving. I would sit for hours watching the evolution of light and images.

I returned to Surrey and for the next 12 years commuted in London doing my career in sales and marketing. I am not loved, I totally absorbed in the heart of London life; I particularly enjoyed my years in the film industry. I love my people and the environment created a perfect opportunity for me to meet and interact with all kinds of different people. During this time my creative spirit of a new version is in Interior Design, after which he attended a course of the night in a school in London and became totally fascinated by the color.

A little later I met my husband who is a great architect and photographer. In 1991 I began playing with his camera and soon developed a real love for photography. This advanced, and I had more than 400 photographic designs commissioned and published by the greeting card companies.

The photographic work, what I do for pleasure revolves around my two girls, sea, sky and landscapes that are magically transformed by the sun. I was also drawn to the abstract forms of color, moving in close to find the simple beauty in shape and color. This could be literally anything! In this way I have done a little close, photographs stone agate slices and was moved by the vitality of translucent colors and the natural flow of design abstraction. That inspired me to paint on glass, that the translation of light, movement and color in my work is perfectly expressed.

In early 2001 I received a huge response to a series of encouraging Art Publishers. At this stage I was presented with a selection of addresses, however, the only company that wanted to work with Washington was green and now that my confidence had arisen Verde I went to Washington with my photographic work and my painting on glass with a very happy!